Buffy the Shemale Vampire Slayer Part 8

The very idea that she was performing cunnilingus upon another woman was wildly thrilling-and not simply because of the physical sensations-indeed, the thrill was more due to the perverse nature of the act than anything else. Two women could no more conceive a child than could two men, especially when their only form of sex was oral. The inner tissues of Anya's watermelon-red cunt, the flood of her warm juices, and the slick lips of her labia against Buffy's probing, lapping tongue, like the proximity of the demon's hairy cleft, was exciting in the extreme, and Buffy's own pussy had been soaked behind the stiff male organ that jutted from her downy pubes.

The ancient Greeks had known something of the excitement that manipulating nature could effect. What was a centaur, for example, but a reshaping of creation? Nature had made horses and men as separate creatures; in combining them, the Greeks had transformed nature, flouting the will of the Creator. The same was true, in general, of all art. For example, the Beatles, not God, had created "kaleidoscope eyes" and "marmalade skies," just as, from his observations of, and thoughts upon, life and human nature, William Shakespeare had created Hamlet, Prince of Denmark and hundreds of other fictitious characters. Each was his creation, not God's, just as each of his plays was his version of reality, not God's.

The thought that the frustration of God's will should be sexy, should be arousing, was also very disturbing, for, she knew, that sinners-unrepentant sinners-would suffer forever in hell. Damnation was the ultimate price that one must pay for delighting in the ways of the flesh and the ways of the devil, for "the wages of sin are death." To be delighted at the prospect of eternal anguish was astonishing, but isn't that what alternative sexuality, centaurs, Hamlet, demons, and her own hermaphroditic state suggest, ultimately? Weren't they all frustrations and perversions of the will